For the first few steps, don’t press down too hard with your pencil. Use light, smooth strokes to begin.
Step 1: Draw two circles as guides for the pig’s body. The circles don’t have to be perfect. They’re just guides. The circles should be placed so close to each other that their edges touch. The two circles should be about the same size. Leave enough room on the right side so you can draw the pig’s head.
Step 2: Draw another circle on the right side as a guide for the pig’s head. This circle should be about half the size of the others. This circle should also be touching the other.
Step 3: Draw two intersecting lines inside the head to help you place the pig’s facial features later on.
Step 4: Draw an arc on the right side of the head as a guide for the pig’s snout. The arc is a bit angular on the right and curves at the bottom.
Step 5: Draw a small triangle-like shape on top of the head as a guide for the pig’s ear.
Art is not art without feeling. It simply cannot exist without emotions. If a sculpture or painting fails to provoke a feeling inside the viewer, it is just a wall decoration. It's just something beautiful on a wall. Art must take us and make us feel something.
That feeling can be happiness, sadness, animosity, or sometimes a mixture of several. The feeling of good art rays is demanding and pressing. It is an urgent scream that forces us to pay attention to and consider the work.
Emotions are not static, volatile experiences. They develop and change. They travel with us when we go through our lives and modern still life paintings need to receive the motive's movement and the movement of the emotions. When we reflect on our lives, we do not remember our emotions in minutes. We remember our feelings as they stayed with us for a period of our lives.
We remember the grief of the loss of a loved one and remember how it topped with sharp, cutting pain in the beginning and turned into a dark reminder of absence when time passed. Happy moments in our lives come as new joy and transition to broad nostalgia later. Emotions move through time. When an artist catches emotions, they take time.
The task of artists is to provide a snapshot of the visual moment, as well as the emotional subtitle of the subject. As a rudimentary example, a modern still life painting can depict a table with a bowl of fruit on it. The feelings that are loved in the artist's painting can convey a message of hunger or shyness. A table that seems too large for the amount of fruit may indicate a family that has recently and unfortunately been reduced.
Art talks about what is present and what is tip missing. In another example, a portrait not only shows the viewer what the person looked like, but where they are in their lives and how they feel about it. Is the subject happy or sad? They yearn for something or someone? Have they resigned in their lives or are they hopeful for what can come? The answers to these questions appear only in the silent dialog between the artist and the viewer.
An artist depicts more than is seen. Art encapsulates the visual existence and the emotional importance of the moment. Capturing the emotions is equivalent to capturing the time.